![]() debut in a most appropriate setting: inside The Waterfront Museum, a preserved wooden barge that sits on the Hudson River in Red Hook. ![]() Over six decades later, in 2015, “The Hook” was adapted into a play and staged in Northampton, England. ![]() ![]() But in the era of Joseph McCarthy and the House Un-American Activities Commission, the script was labeled overly communist and never made into a movie. Eighteen months after disappearing, his body turned up in New Jersey.īased on what he gleaned, Miller wrote “The Hook,” a screenplay set in Red Hook inspired by Panto’s story. In the late 1940s, Arthur Miller lived on Grace Court in Brooklyn Heights, where he would write “Death of a Salesman.” One day in 1947, during a walk along the waterfront near the Brooklyn Bridge, he saw graffiti that read: “Dove Pete Panto,” or “Where is Pete Panto” in Italian.ĭriven to solve the mystery, Miller began venturing further south, to Red Hook, which he would describe in his 1987 autobiography as a “sinister waterfront world of gangster-ridden unions, assassinations, beatings, bodies thrown into the lovely bay at night.” He hung out at bars frequented by longshoremen - including the landmark Sunny’s on Conover Street - and learned that Panto was a young dockworker who had spoken out against union corruption, only to pay a price. Arthur Miller (Koch, Eric / Anefo, CC0, via Wikimedia Commons) ![]()
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